Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters,
What does it mean to speak of artistic autonomy at a time when art is fully commercialised and aesthetics has become the guiding principle of economic productio
Martin Herberts timely new collection of essays considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its m
A Return to Aesthetics confronts postmodernism's rejection of aesthetics by showing that this critique rests on central concepts of classical aesthetic theory,