In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an

Postnationalist African Cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially natio

This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialis

In 1994, not long after South Africa made its historic transition to multiracial democracy, the nation’s first black-majority government determined that film

This volume attempts to join the disparate worlds of Egyptian, Maghrebian, South African, Francophone, and Anglophone African cinema—that is, five “formatio