'Institutional critique' is best known through the critical practice that developed in the late 1960s and early 1970s by artists who presented radical challenge

Critical Practice is an ambitious work that blurs the boundaries between art history, museum studies, political science and applied ethics. Marstine demonstrate

This book takes a new, exciting and important approach to art. It shows how children and older students can use art to explore personal, social and cultural iss

Outgrowth of a panel discussion at the 2013 conference of the College Art Association in New York.

The "other" is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-establis