Nine stories deal with two roommates' intimate conversation, an explorer, school, security agents, escaped animals, gang violence, and holiday depression.
This book is the first study of the development of German opera in northern Germany from the first comic operas of Johann Adam Hiller at Leipzig in 1766 to the
"Using methodologies derived from cultural studies, new historicism, and the history of ideas, Amy S. Wyngaard argues that changing ideas of individual, class,