When a work of art shows an interest in its own status as a work of art--either by reference to itself or to other works--we have become accustomed to calling t

Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary

The first book-length study of meta-phenomena in film and television series.

Quentin Tarantino’s films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic,

American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American f