Scolnicov highlights Harold Pinter as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation.

The Theatre of Harold Pinter offers a unique assesment of one of Britain's most influential dramatists, combining a chronological survey of Pinter's entire work

“An oblique comedy of menace, unsettling, exquisitely wrought and written . . . a complex excursion into the by now familiar Pinter world of mixed reality and