Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films—Accattone, The Canterbury Tales, Medea, Saló—co

This reader brings together the principal arguments in the long-standing and often tortuous debate about realism in the cinema, linking them with a critical com

America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats.

Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performat