From “the most imaginative director in the US” (New York Times) comes this generational work with a vision for transforming opera into a powerhouse cultural

In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He propose

An indispensable key to Adorno’s influential oeuvre—now in paperback In 1949, Theodor W. Adorno’s Philosophy of New Music was published, coinciding with t

A lifelong opera lover, Bernard Williams's articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Roy

Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to