This volume represents the second proceedings of the Royal Musical Association’s (RMA) Music and/as Process Study Group. It is not surprising that a large num

This volume represents the second proceedings of the Royal Musical Associations (RMA) Music and/as Process Study Group. It is not surprising that a large number

Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the crea

Identity and subjectivity in musical performances Who is the “I” that performs? The arts of the twentieth and twenty-first centuries have pushed us relentle

Music's role in animating democracy--whether through protests and demonstrations, as a vehicle for political identity, or as a means of overcoming social divide