Isaac Cruikshank and the Politics of Parody is a catalogue raisonne of Cruikshank's watercolors in the Huntington, the largest group of works by the artist in t
This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century
Pascoe adduces the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuve